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      <image:caption>Affinity Project performing Color grid with talking (after Locus), part of "Ten Artists Respond to Locus." Featured performers (L to R): Nora el Samahy, Atossa Babaoff, Bea Basso.  Photo by Margo Moritz.</image:caption>
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      <image:caption>Dancer Sarah Chenoweth performs Trisha Brown's Locus Solo (1975) as part of HMD's 2016 Bridge Project, Ten Artists Respond to Locus. Photo by Margo Moritz.</image:caption>
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      <image:caption>Photo by Margo Moritz of Frances Richard reading her "Locus Poem."</image:caption>
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      <image:caption>Larry Arrington in quarter. Photo by Margo Moritz.</image:caption>
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      <image:title>Lerman McGregor 2019 Fall Teaching Artist - Copy of Aesthetic Equity workshop with Liz Lerman and Paloma McGregor</image:title>
      <image:caption>Aesthetic equity is not __________ / aesthetic equity is _________ / visioning the reworking of everything, together HMD’s Bridge Project is proud to present a workshop on the intersection of cultural equity and aesthetics with Liz Lerman and Paloma McGregor on Saturday October 26th, 12-4 PM, at the Joe Goode Annex. REGISTER HERE WORKSHOP DESCRIPTION This workshop will allow for examination of movement practices from company class to compacts for collaborative performance making to the work of being in the room together. The urgency of our times demands our fresh attentiveness to decision making, imagination, and building multiple frames for our work. ABOUT THE WORKSHOP LEADERS Liz Lerman is a choreographer, performer, writer, educator and speaker, and the recipient of honors including a 2002 MacArthur “Genius Grant” and a 2017 Jacob’s Pillow Dance Award. Key to her artistry is opening her process to various publics, resulting in research and outcomes that are participatory, urgent, and usable. She founded Dance Exchange in 1976 and led it until 2011. Her recent work Healing Wars toured the US. Liz teaches Critical Response Process, creative research, the intersection of art and science, and the building of narrative within dance at institutions such as Harvard, Yale School of Drama, and Guildhall School of Music and Drama. Her third book is Hiking the Horizontal: Field Notes from a Choreographer. As of 2016 she is an Institute Professor at Arizona State University. Paloma McGregor , originally from St. Croix, is an award-winning artist and organizer living in Harlem. Paloma’s work centers Black voices through collaborative, process-based art-making and organizing. A lover of intersections and alchemy, she develops projects in which communities of geography, practice, and values come together to laugh, make magic and transform. She has created a wide range of work, including a dance through a makeshift fishnet on a Brooklyn rooftop, a structured improvisation for a floating platform in the Bronx River and a devised multidisciplinary performance work about food justice with three dozen community members and students at UC Berkeley. Paloma was a 2013‐14 Artist In Residence at NYU’s Hemispheric Institute for Performance and Politics, a 2014-16 Artist In Residence at BAX | Brooklyn Arts Exchange, a 2016-18 New York Live Arts Live Feed Artist, and is currently a Movement Research Artist in Residence and an Urban Bush Women Choreographic Fellow. She has been nominated for the prestigious United States Artists Fellowship and the Herb Alpert Award. Recent support for her work includes grants from MAP Fund, Surdna Foundation, Dance/NYC, NYSCA and Dance/USA Engaging Dance Audiences. Paloma also facilitates technique, creative process and community engagement workshops around the world. She toured internationally for six years with Urban Bush Women and two years with Liz Lerman/Dance Exchange, and continues to perform in project‐based work, including Skeleton Architecture, with whom she received a 2017 New York Dance and Performance Bessie Award for performance. REGISTER HERE Photo: (L) Liz Lerman by Lise Metzger; (R) Paloma McGregor.</image:caption>
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  </url>
  <url>
    <loc>https://www.bridgeproject.art/people</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2020-04-28</lastmod>
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      <image:title>People</image:title>
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  </url>
  <url>
    <loc>https://www.bridgeproject.art/2016-spring-teaching-aritst</loc>
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    <lastmod>2020-05-18</lastmod>
  </url>
  <url>
    <loc>https://www.bridgeproject.art/chen-2019-fall-teaching-artist</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-18</lastmod>
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      <image:title>Chen 2019 Fall Teaching Artist - Copy of Sunday Morning Practice and Sharing  with Sherwood Chen</image:title>
      <image:caption>**THIS WORKSHOP IS SOLD OUT** BIQTPOC Performing Artist Hive and HMD’s The Bridge Project present Sunday Morning Practice and Sharing with Sherwood Chen Sunday October 6, 2019 9am to 1pm This exploratory morning will introduce aspects of Bay Area-bred dancer Sherwood Chen’s movement research. We will investigate landscapes inscribed on our skins and the environments in which we are situated. Practices will occur inside and outside the studio, include physical contact and scores in partners and / or groups, and will conclude with an informal artist talk over lunch. Registration and punctual arrival are required to attend. No walk-ins. Black, Indigenous, Queer, and Trans folk and people of color are encouraged to join. Please no scents or perfume. There will be two air purifiers running in the space. Space is limited so register early. Sherwood Chen is a performer and cultural worker. He performs and leads workshops internationally, and has worked with artists including Grisha Coleman, Yuko Kaseki, Amara Tabor-Smith, Xavier Le Roy, Min Tanaka, Anna Halprin, Jess Curtis, inkBoat, Sara Shelton Mann and l’agence touriste. He has trained dancers in places including the Centre National de la Danse, Independent Dance / Siobahn Davies Studios, La Ménagerie de Verre, Oficina Cultural Oswalde de Andrade, ODC, Arlequi, Chez Bushwick, Sala Crisantempo, Centro Nacional de las Artes, UC Berkeley and the Maré Center for the Arts. For over twenty years, he has contributed to Body Weather research initiated by Tanaka and his associates, both as a member of Tanaka's company Mai Juku and Body Weather Farm in Japan, and subsequently working with founding members including Oguri and Christine Quoiraud in the US and France. His arts advocacy work has specialized in support for tradition-based, indigenous and community-based artists and programs. Photo of Sherwood Chen by Sigel Eschkol</image:caption>
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  </url>
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    <loc>https://www.bridgeproject.art/2014-bridge-project</loc>
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    <priority>0.75</priority>
    <lastmod>2020-05-18</lastmod>
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  </url>
  <url>
    <loc>https://www.bridgeproject.art/2019-bridge-project</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-05-21</lastmod>
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